piper90npcs (
piper90npcs) wrote in
goneawayworld2020-12-03 02:52 am
HARK! How the bells, sweet silver bells...
Who: Everyone
What: Holiday Events
Where: Piper 90 - The Rig
When: Post-Rose Tattoo
Warnings/Notes: Holiday cheer, smooches, tactical snowball action
It's the Holiday Season in the Gone Away World and on the Rig in particular! Though they claim to be open to any cultural celebration of this time of year, the dominance of Santa Claus, reindeer, and elves in decorating really kind of blunt that claim. But the PA system, when not blaring alarms or fuzzy announcements for working party C to show up at the maintenance bay, play Christmas tunes of all sorts at inconvenient volumes. Decorations hang limply from the walls. And every worker with children has been issued a shotgun and a bandoleer of shells loaded with pellets of cold iron.
Just in case.
What: Holiday Events
Where: Piper 90 - The Rig
When: Post-Rose Tattoo
Warnings/Notes: Holiday cheer, smooches, tactical snowball action
It's the Holiday Season in the Gone Away World and on the Rig in particular! Though they claim to be open to any cultural celebration of this time of year, the dominance of Santa Claus, reindeer, and elves in decorating really kind of blunt that claim. But the PA system, when not blaring alarms or fuzzy announcements for working party C to show up at the maintenance bay, play Christmas tunes of all sorts at inconvenient volumes. Decorations hang limply from the walls. And every worker with children has been issued a shotgun and a bandoleer of shells loaded with pellets of cold iron.
Just in case.

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"Alloran it is," she replies, "Unless you would prefer I stand on formality."
She dips her head in a slightly amused nod. She has to keep her facial expressions going, as always. She feels emotions, of course. But ancillary-blank is her default. Or at least something she can return to in an instant, without a thought.
The mention of hands causes a twitch in her expression. Something Breq barely recognizes in herself, although internally she's a little surprised and amused. Hands again. Like the Radch - and not like the Radch at all. She glances at Alloran and then carefully extends her own hand, likewise palm up.
"I think with our hands would be better. The focus on them... it reminds me of the Radch."
The Radch. So many meanings wrapped up in that. She wasn't Radchaai - couldn't be - but the Radch was still home. She still knew it inside and out, knew the gestures, the culture, the people. And there wre times she missed it terribly.
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It's been one of the better things about being here on the Rig. There are a lot of things the various aliens think of him, many of them not good, but people don't look at him and see the Visser.
It would be terribly standoffish to do otherwise, so Alloran faces Breq to look at her out of his main eyes, which are huge and long-lashed and somewhat widely set. He casts his stalk eyes in other directions, which at least to him lessens the intensity of direct main-eye contact.
<Is that someone important to you? Or a place, perhaps?>
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Her hand remains extended, waiting. The eyestalks are a bit disconcerting but she manages not to let it impact her too much. She's good at controlling herself. Usually.
"I've been away from it for a very long time, though."
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Alloran gives a long, silent exhale, his complicated nostrils flaring.
<We will begin with hands and forearms. That may not be enough. If you'll submit to allowing me to kiss your face, I will permit it from you.>
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"That's acceptable. Please, tell me if I end up doing anything wrong. This is the first time I've tried an alien form of kissing."
Although touching intimately with bare fingers and hands is something she is familiar with.
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The bare skin of his hand is very soft, almost velvetty, and cool. It somewhat resembles a human hand with more fingers, all rather slight, but the structure is different. There is an inner thumb and an outer thumb, and the five between them are not as neatly matched as a human's three inner fingers. His body temperature is also noticeably lower than a human's, though still much warmer than ambient.
<How do humans kiss?>
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There's a slight shiver from her. Involuntary. The touch of soft, cool fingers is an interesting one, especially in a place that she knows is considered incredibly intimate in Radch society. She glances down and watches the blue fur contrasted against her dark skin. She sighs softly and then glances up at him again.
"Usually with lips. But I've known others to use noses or even hands, like you do."
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He tries to line up their palms and fingers as best as is possible and do what finger-intertwining the different anatomy allows. The thought comes as it often does, I could acquire her and he ignores it with a twinge of irritation. It's a very Esplin thought, to steal a kind stranger's DNA when it's not even needed. Even being free isn't entirely freedom.
<Lips? Well. So that's what the lip-pressing gesture is. I suppose... the nerve endings in human lips are more densely clustered than in your hands. I think I believed it was about food-sharing or checking temperature.>
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"No, it's... affection, usually."
She lifts her gaze to him.
"Should I combine the two gestures?"
She covers his hand with her other one, brushes fingers against his wrist. Feels the shape of muscle and bone. The whole rest of the universe seems to fade in these few moments. It's just them, just this hallway, just this exchange of touch and culture.
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Alloran considers, looking curiously at her. If he'd been in human morph he might have said no. Mouth-and-mouth kissing seems vaguely like trying to eat someone, or being eaten. <Hm. Why not?>
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Not that Alloran knows that. But the thoughts run through her head all the same.
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The long fur that grows in a line down his back has started to bristle, which is absurd. He's not a xenophile - even when he was young and filled with naive goodwill for all species, which is the traditional time to pick up that interest, he didn't see the appeal. After the amount of exposure he's had, humans don't look all that strange to him anymore, but they aren't attractive, either. All the same, the rhythm of his hearts has changed subtly.
<Well,> he says, softly, and runs a careful finger back across her lips. <That is interesting.>
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"Just interesting? I found it... illuminating, in a way."
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He turns his hands palm up, a gesture of acknowledgement not quite the same as his modified shrug from earlier. Who's flustered? Certainly not him. <I hardly know what else to say. It seems a vulnerable way to kiss, but I suppose it serves well enough.>
There's no speaking or singing like that - right? - and no looking out for danger. If he morphed human, would the whole notion seem different?
no subject
"I think it does," she replies, "Although you're right, we're a bit vulnerable when we do. Of course... we didn't have the good fortune to evolve with multiple pairs of eyes."
She's struck as soon as she says that. A wave of nostalgia and longing and loss for what she no longer has. The inability to glance behind herself without turning her head. Having more pairs of eyes, of ears, of hands, of feet, of being able to do so much, to see so much, and now she's deafened and blinded and stuck in one body.
And she'll never have it back.
Despite herself, there's a twitch in her expression; a pricking of tears at the corners of her eyes that she doesn't quite process, doesn't want to acknowledge.
no subject
Gingerly he shifts his free hand to clasp hers between them. His fingers are held firm instead of wrapping, almost the formal expression of condolence, though he doesn't remember quite how that goes after so much time.
<I regret reminding you. It is...> Alloran pauses and scuffs a forehoof on the floor, recognizing that he's about to be condescending and trying to rephrase. <It seems difficult to be human, though I imagine one grows accustomed.>
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She does.
"You do," she replies quietly, "But I'm not human. Maybe that's why it's difficult."
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<Very well. What are you?>
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"But I wasn't always Breq. I was - I am - Justice of Toren. A Radchaai troop carrier. An AI. I wasn't born; I was built. And this is all that's left of me."
no subject
Alloran stretches his stalk eyes up, an expression of surprise, and brings one to bear, glancing Breq up and down. The other moves on in an unhurried scan, checking and rechecking surroundings.
<An organic technology?< Not an unfamiliar idea, but it's weird to think of humans going in that direction. Human structures seem so lifeless to him. The Rig is just a box filled with boxes.
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"I was a ship. A computer core. I - this body - is an ancillary. A human body fitted with implants so I could control it. So it - I - would be a part of me."
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<I'm going to need you to explain in more detail. If you're all that's left, and I don't believe there's a signal maintained to anyone's home universes, are you the implants, or the brain?>
He sings something as he says that, a woven projection of sensation and emotion that takes a lot of unpacking, really. Tension as of being confined in a small space and shut away from grass and sky, stillness as of waiting, heft as of a blade, a desire to dig at the ear as if something is stuck clinging.
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"I'm both. I was the ship. I was a computer core. I had officers and ancillaries; I am the 19th segment of the Esk decade of the Justice of Toren. That's me. Whoever this person was before she became me... no longer exists. I don't have her memories. Only my own. Two thousand years of life as a ship and my ancillaries."
There's that flat intonation; the expressionless face.
"I was - she was - we both were - equipment."
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<I see the use of that. Demoralize enemy forces by converting prisoners into one's forward banner. Though, I never ceased to exist. It would be a kindness if yours actually has. How would you even know?>
He sings an unreal but vivid image-concept with that one, a paralyzed horror, an alien's possessive satisfaction, and the billowing curl and crack of this 'forward banner' whose colors and emblems strike fear and outrage from the Herd watching it at the head of the enemy's army. That was one of us! Why didn't he die? We could be next! It's a modification from a quasi-historical epic song.
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"How do you know you're you?" She replies, posing a rather rhetorical question, "I don't remember anything about her. I don't have her emotions, her hopes, her fears. She's gone. There's only me."
The "song" is an appropriate one. There's a pause and then she sings herself. Her voice is not suited for it, but she does it anyway.
The person, the person, the person with weapons.
You should be afraid of the person with weapons. You should be afraid.
All around the cry goes out, put on armor made of iron.
The person, the person, the person with weapons.
You should be afraid of the person with weapons. You should be afraid.
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