Piper 90: Mods (
goneawaymod) wrote in
goneawayworld2021-04-10 09:37 pm
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
3..2...1...CONTACT!
Who: The New Hires
What: Sudden Memory Share
Where: Their Memory Palaces
When: After "Don't Touch That Dial"
Warnings/Notes: Possible in every memory, warn in subject lines.
Contact.
It's during a pause in their day. A nap. An idle moment looking across the Top Deck. Taking a slow breath between reps in the training room.
The New Hires are connected. Mental pathways locking together, they're forced into one another's innermost beings. Thrust into one another's memory palaces where the mind collects and stores everything that makes them who they are. The core of their beings are only a few steps away and no one can help the violation.
To make matters worse, it comes with no explanation or no ability to pull out and stop. Once they're through the first memory, perhaps they can find a way out, but they're already witnessing some event from their host's past. And, if they left, who knows whether or not they'd end up accidentally invading another memory palace?
And if they were there, who was in theirs?
[[So, how this works: the memories can either be viewed in spectator mode or the guest can be experiencing everything themselves. The person whose memories are being shown, the host, can watch as their current self or take the form they had of their past self. They can talk about the memory with the "guest" that's visiting.
They cannot control the first memory shown, the player decides that, but they can control any other memories they'd like to show people after. Of course, there's also always the option of an extreme emotional reaction bringing up other memories unbidden.]]
What: Sudden Memory Share
Where: Their Memory Palaces
When: After "Don't Touch That Dial"
Warnings/Notes: Possible in every memory, warn in subject lines.
Contact.
It's during a pause in their day. A nap. An idle moment looking across the Top Deck. Taking a slow breath between reps in the training room.
The New Hires are connected. Mental pathways locking together, they're forced into one another's innermost beings. Thrust into one another's memory palaces where the mind collects and stores everything that makes them who they are. The core of their beings are only a few steps away and no one can help the violation.
To make matters worse, it comes with no explanation or no ability to pull out and stop. Once they're through the first memory, perhaps they can find a way out, but they're already witnessing some event from their host's past. And, if they left, who knows whether or not they'd end up accidentally invading another memory palace?
And if they were there, who was in theirs?
[[So, how this works: the memories can either be viewed in spectator mode or the guest can be experiencing everything themselves. The person whose memories are being shown, the host, can watch as their current self or take the form they had of their past self. They can talk about the memory with the "guest" that's visiting.
They cannot control the first memory shown, the player decides that, but they can control any other memories they'd like to show people after. Of course, there's also always the option of an extreme emotional reaction bringing up other memories unbidden.]]
I. Meteors
No lights out here. It's going to be gorgeous when the sun fully sets.
When she looks around again and finally spots the version of Dan that doesn't belong to the memory, she frowns and claps her hands over her own ears before moving toward him. If he doesn't want to hear this, she should avoid eavesdropping too. When she gets close enough to see that his eyes are squeezed closed too, she speeds up the last few paces so that she can nudge him with her elbow.]
You okay?
[She makes sure to speak slowly and clearly, so he can read her lips if he doesn't want to lower his hands.]
no subject
He meets Stacia's eyes and slowly lowers his hands. He exhales deep; his breath feels like it's wobbling on the way out his lungs.]
I ain't a fan of the Memory Lane thing they got going around here. Some of mine their selections got a little noisy last time. [He saw the slaughter of Bunny's entire species. He saw Kokichi get pressed like a blood-filled penny in a machine.] You okay? This is...don't worry, nothing happens in this one.
["Goddamnit," the girl sitting on the blanket says, flapping a developing polaroid photograph in her hand. "That meteor didn't take either."
"Language," Dan in the memory says, laying back on the blanket with his head cradled in his arms, looking smug.
"You swear all the time."
The real Dan looks at Stacia and can't help but think of what he already knows about her, of how he already walked into her memories over Christmas.]
no subject
I know what that's like. Every time this happens it's like "hi, yeah, my life is nightmarishly violent, sorry about the contact-trauma".
[She flashes him a quick, reassuring smile.]
I'm fine. Just following your lead. I figure that it's the best way to handle this kind of thing. If the person whose memories they are prefers that I cover my ears and close my eyes, it's not like it'll hurt me to give them that much.
[Her eyes flick toward memory-Dan and the girl briefly, but only because she can hear their little exchange. It's cute, but present-day Dan's face doesn't look like this is something he wants to be reliving right now.]
Are you okay?
no subject
[His smile back is tight; he doesn't get much comfort from knowing that poor Stacia's in a similar boat when it comes to what surfaces when the powers that be rummage through her memories. In a way, last time this phenomenon was kind to Dan and didn't show him the deaths, the mutilations, but just seeing the faces of the family he saw slaughtered was enough to mess him up inside for weeks.]
Yeah. [Dan's adept at lying, second-nature when it comes to putting on an easy, social face that nobody needs to pay any extra attention to, that no one needs to worry about, but this fails him here. He's very obviously rattled.] It's- it's fine. It's a rough reminder that the Rig ain't exactly a new start.
[You carry your ghosts with you, it seems.
In the memory, the girl blows a raspberry and drinks her lukewarm cocoa. "Can I try your vodka?"
"Ooh, think you might need a better fake ID for that," Dan in the memory says. "So tell me, bookworm, there any parallels between Orpheus and Lot? The biblical story with the pillar of salt? You know that one?"
"There are always parallels because the Bible stole everything- look! There's another one!" She swats his hand and he grins at her. "Stop distracting me, I'm missing all the stars."
The real Dan shrugs and while he isn't covering his eyes or ears anymore, he's also very much not looking at the cutesy scene playing out behind him.]
Don't worry, ah... [He winces at Stacia.] It's fine. That was years ago. That's Ellie, and she don't need me taking care of her anymore.
no subject
Yeah, even the nice memories aren't really nice when we're all stuck here, are they?
[She looks over at past-Dan and Ellie before looking back at present-Dan with a warm smile. She's not going to question the "don't need me taking care of her anymore" either, though she files it away to chew on later.]
It seems like you did a good job when she did need you. That's what's important.
[One of her own memories is gathering at the edges of this one. Hopefully it's not going to be something weird, or something that will upset Dan more.]
no subject
[Not this charming image of himself and the girl he considered his own, a scene so sweet and serene that it feels like a clumsy, fat finger shoved straight into the wound of his grieving. Not while Stacia interprets what she sees as evidence that Dan did a halfway-decent job caretaking, and he just can't bring himself to correct her.
Every child in Dan's care has died horribly. It's a universal constant.]
It's easy when they're good kids. I didn't do nothing.
[And thank God Stacia's memories are starting to seep in through the corners; Dan's never been more relieved to want to step into someone else's living diary, and he feels a rush of guilt that he so strongly prefers bailing ship on his own memory and invading that of a teenage girl.]
no subject
"All right," he says in a Bostonian accent, "while we wait for the cops, we're gonna teach you how to shoot whiskey."
"Really?" Stacia asks, swinging her feet. The man nods seriously.
"It's almost as important a skill as shooting guns."
Both Stacias laugh in response, the present day one shaking her head.]
That's Bulletproof. He was one of my packmates. He's not dead, just moved on.
no subject
Bulletproof, huh? I reckon he got that name for a purpose? [He reaches out to the bar to see if he can touch anything in this memory, never wanting to just get trashed on alcohol as hard as at this moment, enough that he could ransack a teenage girl's memory to just not have to think about his own.] Different pack or moved on some other way?
no subject
[Sadly, Dan cannot loot the bar of Stacia's memories; his hand passes through it like a ghost. Stacia considers him for a moment, eyes narrowing in thought.]
See if you can snag one of the shot glasses after he pours but before we pick them up. I don't think it'll get you drunk, but I might remember the taste enough for it to carry over.
[Dan has time to give it a try: Bulletproof pours the whiskey and proceeds to deliver a short lecture on How To Drink Whiskey The Correct Way to a Stacia who is trying desperately to keep a straight face. If Dan does try to make the grab, he'll come away with a fragile shell of something that tastes a little like whiskey but mostly like the sensation of safety and camaraderie.]
I hope he's found a new pack. We knew from the get-go that he was only with us temporarily, but he cut ties and went into hiding after our other packmates were killed. We still hadn't heard from him when I got dragged here.
[Past Stacia and Bulletproof throw back their shots. Past Stacia does not manage to stick the landing.]
no subject
He's never met Bulletproof in his life, but he can see the parallels to his own life, the way he learned as a teenager how to kick back alcohol and suck down cigarettes with older monster hunters and the werewolves they both stalked and collaborated with. There's almost a resignation to it. A well, since you're stuck in this shitty situation, may as well develop a cheap coping method air from the elder statesman.]
Werewolves where I'm from don't tend to stay in touch after they split off to new packs or go into the woods either. I hope he's alright.
no subject
Depends on the werewolf, where I'm from. Or rather, werewolves -- if he doesn't call or email or send a freaking carrier pigeon after I get home again, I'm hunting him down to yell at him. I lose too many friends to death to let the others ghost me the regular way.
[The Stacia belonging to the memory finally stops coughing and flips off Bulletproof, who gets another chuckle out of that. He pours them both second shots and gives her round two of the tutorial. Present day Stacia watches Dan out of the corner of her eye.]
He was one of the first people I saw when I woke up after my First Change. Granted, he was a strange man standing over me in the woods in the middle of the night, so I screamed my damn head off. But I'm a hard girl to shake once I get attached.
[Stacia isn't even sure if she's trying to say something subtextual or not. One of them will figure it out eventually, she supposes.]
no subject
[An understatement, from Dan.]
Where I'm from, the first time werewolves change is real traumatic, especially for people who don't now what's happening. Most werewolves who have children turn their kids before they're old enough to remember it.
cw: blood
I suppose that's true. But given what I know about him, he'd probably just be proud that I figured out how to hunt him down in spite of him going to ground.
[New topic? New topic, apparently. Stacia makes a face.]
We don't know for sure who is and isn't going to shift until around adolescence. There's a whole...magical-science deal there that's not my area. [The moon decides, and she keeps her own counsel. Like the big spirits do. Not Stacia's area, though she keeps meaning to ask some Theurges about it.] It's absolutely traumatic though, even if you grew up knowing it could happen and if someone was on-hand to help you -- fuck!
[The two of them have gone from a well-lit bar to a pitch-dark forest -- well, pitch-dark except for the lights held by three men nearby, clustered around something. As one of them crouches down, the 'something' is revealed to be Stacia, unconscious, her hair a mess and her dress split along its seams and soaked in blood. Present-day Stacia grimaces.]
I didn't have any warning, and I didn't have anyone to restrain me. Cover your ears, I'm about to start screaming.
no subject
Are they... [He bites his lip looking at the men, hoping that Stacia would have told him if the three of them were people to be wary of or about to do something evil.] Were they good to you?
no subject
[Stacia looks confused by Dan's question, but her past self starts screaming fit to raise the dead before she can ask for clarification. The man who'd crouched down so that he wasn't looming over her falls over backward in surprise, and the two who'd remained standing likewise recoil from her. Past Stacia continues screaming, and adds thrown forest detritus to her defense until the men have retreated to the other side of the clearing. Present-Stacia lowers her hands from her ears as her past self stops screaming and starts to sob.]
Oh, yeah, I'm safe with these guys. Look, that's Bulletproof.
[The lighting isn't very good, but the man she points at could be the same one from the bar.]
And that's Ace with him. The other guy was never a packmate, but he also used to look out for me. That's what they were trying to do here, they didn't...
[She trails off, looking away.]
I don't remember what happened, not...clearly. I didn't have to see the body.
no subject
But he does, making sure that he's not sneaking it up on Stacia, reach out to pat her shoulder, as if he could channel the universe into saying sorry you had to go through that through his hand.]
no subject
It's why I'm so mad at my mom, you know? [She waves a hand at her sobbing, blood-soaked past self.] She knew this could happen. She hoped it wouldn't, but she knew it could. And even if she'd been lucky and none of us had shifted, it still could have happened to our kids when we had them. Or theirs.
[The wolf emerges from the trees and goes over to nose at the crying girl, who seems willing enough to accept comfort from someone who isn't a strange man.]